The exhibits here sit in no glass case — the rooms themselves are the exhibits: a hall of mirrors reflecting three centuries of pride and revenge, a royal bed serving as power’s altar, a sun god in the garden embodying kingship, a fake village hiding a queen’s escape. Six spaces, each with three layered cards: why it was built, how history kept moving in, and what to look at standing on the spot.
Chapel, Hall of Mirrors and the two bedchambers — the main stage of the theater of power
Geometry conquering nature, myth captioning kingship
The queen’s anti-Versailles — the quiet corner nine in ten visitors never reach