The smallest country on earth holds the Renaissance’s highest ceiling: Michelangelo’s creation and doomsday, Raphael’s temple of reason, the Laocoön dug from a vineyard. Six flagship works, each with three layered cards — how it was born, how it entered the popes’ palace, and what to look at amid the crowds.
The Octagonal Court — Laocoön and Apollo, the founding pair of the collections
The papal study — reason and faith wall to wall
Creation and doomsday in one room — the route’s finale
Raphael’s curtain call hangs here — the quietest treasury
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