Zhuangzi Dreams of a Butterfly
Zhuangzi recorded that he once dreamed he became a butterfly, flitting about, wholly forgetting he was Zhuang Zhou; but on waking he was plainly Zhuang Zhou again, and did not know whether Zhuang Zhou had dreamed the butterfly or the butterfly had dreamed Zhuang Zhou. This fable, exploring the relativity of the boundary between real and illusory, self and other, is among the most widely known images in the history of Chinese philosophy.
Singing and Drumming on a Basin
When Zhuangzi’s wife died, his friend Huizi came to mourn, only to find Zhuangzi drumming on a basin and singing, and reproached him as inhuman. Zhuangzi explained that a person originally had no life, no form, no breath; in a blur these gradually came to be; and now his wife’s death was merely a return to the state before she was born, as natural as the turning of the seasons, and so no cause for grief — an attitude embodying the Daoist transcendence of life and death.