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Pope Julius II

Original namePope Julius II

The "Warrior Pope," greatest art patron of the High Renaissance

Putting the Human Back at the Center · Renaissance & Baroque
PatronSistine ChapelSt Peter'sHigh Renaissance

Who they are

A Roman pope of the High Renaissance, called the "Warrior Pope" (Il Papa Terribile) — he donned armor and led armies in person, and also single-handedly drove the most glorious burst in the history of Western art. It was he who compelled Michelangelo to paint the Sistine ceiling, hired Raphael to decorate the papal rooms, and ordered the old St Peter’s torn down and rebuilt by Bramante and Michelangelo. Without this formidable, demanding patron, the Rome of the High Renaissance might look otherwise — he proved that great art, too, needs a great paymaster.

Primary sourcesVasari, Lives of the Artistsrecords of the Sistine ceiling and St Peter's

Key stories

Forcing a Ceiling into Being

Portrait of Pope Julius II
Portrait of Pope Julius II · Raphael, 1511

Michelangelo wanted to refuse the Sistine ceiling, but Julius II would not yield an inch, pressing him again and again; the two quarreled repeatedly over schedule and pay, and the pope is said to have struck the artist with his staff. It was this near-tyrannical insistence that forced out the Genesis, the summit of human painting — great patronage is sometimes also a kind of oppression.

Relationships

Echoes today

Below are how modern works borrow or reinterpret this name or story — not the original material. The two differ, so keep them apart.

The model of "great art needs a great patron"Julius II's forcing of Michelangelo to paint the ceiling, hiring of Raphael, and rebuilding of St Peter's is the most-cited historical case when discussing the relationship of patronage and art.