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Xenophanes

Ancient Greek Philosopher, an Early Critic of Anthropomorphic Conceptions of the Gods

Remembered for a Single Line · Small Roles, Famous Names
Pre-Socratic PhilosophyCritique of AnthropomorphismThe Beginnings of Monism

Who they are

Xenophanes (c. 570–475 BC) was an ancient Greek pre-Socratic philosopher and poet, noted for his sharp critique of the widespread notion in the traditional Greek religion of his time that "the gods have human form and moral failings." He keenly pointed out that different peoples always imagine the gods after their own likeness — the Ethiopians hold the gods to be dark-skinned and snub-nosed, the Thracians hold them to be blue-eyed and red-haired, and if oxen and horses could paint and carve they would surely portray the gods in the shape of oxen and horses — arguing from this that the anthropomorphic gods of Homer and Hesiod, who steal, commit adultery, and deceive one another, are but a projection of humanity’s own limitations, not the true nature of the divine. He went on to propose that there should exist a single, unmoving supreme divinity beyond human moral limitation — a thought seen as an important early precursor of Western philosophy’s turn from polytheistic mythical thinking toward rationalized monistic metaphysics.

Primary sourcesAristotle and Diogenes Laertius’s relay of his fragments

Key stories

"If Oxen and Horses Could Paint"

In a surviving fragment Xenophanes wrote: "If oxen, horses, or lions had hands and could paint and sculpt like men, horses would draw the gods in the shape of horses, and oxen in the shape of oxen, each fashioning the gods’ forms after its own body." This highly perceptive argument by analogy pointed straight at the universality of the cognitive bias by which humans "imagine the gods after their own image," one of the earliest and sharpest philosophical critiques of religious anthropocentrism in the history of Western thought.

A Wandering Bard’s Philosophical Turn

In his early years Xenophanes was a wandering bard making his living by traveling and performing, and only in his later years gradually turned to systematic philosophical and theological critical writing; this intellectual journey "from singing poetry to rational critique" also symbolizes, in a sense, the overall trend of early ancient Greek thought passing from oral poetic narrative to written rational argument.

Relationships

Echoes today

Below are how modern works borrow or reinterpret this name or story — not the original material. The two differ, so keep them apart.

An early precursor of the anthropology of religionHis critique of "imagining the gods after one’s own image" is seen by modern anthropology of religion as one of the earliest theoretical precursors of this field of study.

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