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Tang Xianzu

Original nameTang Xianzu

Author of The Peony Pavilion, "the Shakespeare of the East"

The Four Great Novels & Their Authors · Chinese Classics
Kunqu OperaThe Peony PavilionSupreme FeelingMing

Who they are

A Ming-dynasty dramatist who lived at nearly the same time as Shakespeare and died the same year (1616), earning the name "the Shakespeare of the East." His Peony Pavilion tells of the maiden Du Liniang, who falls in love through a dream, dies for love, and is reborn for love — "feeling springs from one knows not where, and deepens ever; the living may die of it, the dead may live again." He raised "supreme feeling" to a height that transcends life and death, voicing the deepest and fiercest protest against a rites-bound order that suppressed human nature — the summit of romance in classical Chinese opera.

Primary sourcesTang Xianzu, The Peony Pavilionthe "Four Dreams of Linchuan"

Key stories

Dying for Love, and Reborn for Love

Du Liniang, roaming a garden, dreams of a scholar; waking, she pines away and dies; three years later the scholar opens her grave and she returns to life, and they are wed. With this near-absurd plot Tang Xianzu declares: true feeling cannot be stopped even by death. Here "feeling" becomes a force against every shackle of rite and law.

Version differences

Tang Xianzu died the same year (1616) as Shakespeare; "the Shakespeare of the East" is a common later comparison, which this site states as such.

Relationships

Echoes today

Below are how modern works borrow or reinterpret this name or story — not the original material. The two differ, so keep them apart.

The summit of "supreme feeling"The Peony Pavilion’s ideal of supreme feeling — "the living may die of it, the dead may live again" — is the peak of romance in classical Chinese opera, and its Kunqu version still tours the world.